Conductor Mark Fitz-Gerald

mfgMark Fitz-Gerald studied at the Royal College of Music, where his professors included Norman Del Mar, winning all the major prizes for both orchestral and operatic conducting. It was during this time that Hans Werner Henze invited him to take part in the first Cantiere Internazionale d’Arte in Montepulciano, Italy, as a result of which he was invited regularly to Switzerland as Guest Conductor of the Basel Sinfonietta.

From 1983 to 1987 he was Artistic Director of the RIAS Jugendorchester (West Berlin) where his innovative Filmharmonic Concerts received much acclaim and were later made available on CD. He returned there to continue the series with the Berlin Rundfunkorchester in 1992. Since then, he has performed the very specialised task of accompanying silent films live with orchestra, with much success in many countries and festivals throughout the world. His performances of the Trauberg/Shostakovich classic New Babylon (1929) have received much critical acclaim, in particular at the Japanese première of the work (opening concert of the Tokyo Summer Music Festival 2000) and at the Rotterdam Gergiev Festival 2001.

With the help of Mrs.Irina Shostakovich and Krzystof Meyer he has restored the complete score to another Trauberg/Shostakovich film, Odna (1929/31), and conducted the world première (the first Shostakovich première for over 20 years) in Holland and later in Paris, with enormous success. His restoration is now published in the new complete edition of the composer’s works, and he conducted the UK première at the Barbican Centre in 2006. His accompaniment of the 1927 silent film Wings with Carl Davis’ score at the 2010 Pordenone Silent Film Festival was so successful that it lead to a permanent re-invitation by the Festival’s director David Robinson.

In the operatic world, Mark has assisted regularly at the Vienna Staatsoper, as well as the Vienna Kammeroper, and in 1992 he made his debut at the Volksoper with The Cunning Little Vixen. In 1994 he conducted the world première of an opera by Mexican composer Victor Razgado at Spoleto in Italy in conjunction with the producer Luca Ronconi. In 1994 he conducted The Nutcracker for the Vienna Festival Ballet. In 1986, Mark was appointed Music Director of Kentish Opera, with whom he has had a long and fruitful partnership. More recently, in 2012, he gave the Swiss première of Debussy’s opera The Fall of the House of Usher.

He has collaborated with Annetta Hoffnung in many major ‘Gerard Hoffnung’ concerts in London (both at the Royal Festival Hall and in the presence of the late Diana, Princess of Wales at the Barbican) as well as throughout Europe and Japan.

Mark has worked regularly as Guest Conductor with orchestras such as the Basel Sinfonietta, the Polish National Radio Symphony Orchestra, the Frankfurt Radio Symphony Orchestra and the Komische Oper Berlin. He has also made guest appearances with the BBC Symphony Orchestra, the Philharmonia, and the London Philharmonic Orchestra. From 1989 to 1993 he was Associate Conductor of the Orquestra Classica do Porto, Portugal and was Assistant Conductor in Strasbourg both at the Philharmonic Orchestra and at the Opéra du Rhin from 1997 to 2002. In the 2013/14 season he is giving début performances with the Bochumer Symphoniker.

Mark is a much recorded artist. His recording of Shostakovich’s Odna was released in January 2008 and went immediately into the top 5 of the Naxos new release best-selling charts. Several other highly-acclaimed world première Shostakovich recordings have since been issued, in particular the first version of the Ninth Symphony, made at the personal invitation of the composer’s widow.